This page is referenced by:

• 1 2020-04-27T18:14:40+00:00 Fairy Tales 18 plain 2020-10-13T18:36:48+00:00 airy tales are a form of literature based on oral tradition. The genre arose in the seventeenth century in the salons of Paris, where sophisticated women of the court re-told and embellished folk stories in an ornate, mannered style to amuse one another. The genre became popular and other authors followed with their own adaptations of traditional stories. When folklore developed as a field of academic study, newly collected stories provided a rich source for further literary efforts.   
  
  Madame d’Aulnoy was the most prolific writer among the salonnières, publishing her first book of fairy stories in 1697. The term she used for her works — contes des fées — gave the new genre its name.
  A fellow Parisian, Charles Perrault, published his first book of adapted traditional tales the same year. His versions are the best known for many popular stories, including Cinderella, Little Red Riding Hood, and Sleeping Beauty.
  The Grimm brothers sought out variants of German and European folk tales, and published versions of Hansel and Gretel, Rapunzel, Snow White, and many others in the forms we know today.
  Publishers often did not bother to identify actual authors, but attributed the stories to well-known fairies — Oberon or Puck — or to Mother Goose, the archetypal old woman who recounts folk stories and poetry to listeners young and old.
  Hans Christian Andersen, unusually, wrote original stories, many of which came to be well-known fairy tales: The Emperor’s New Clothes, The Little Mermaid, and The Ugly Duckling.
   
• 1 2020-04-27T18:15:04+00:00 Folk Tales 14 plain 2020-08-11T19:26:32+00:00 olk tales and popular stories had a long history in Britain as well, but there was no scholarly collection until 1890 when folklorist Joseph Jacobs published English Fairy Tales. Many of the familiar stories had been told and retold, illustrated repeatedly, and published many times by then. As with the Continental fairy tales, these stories began as the common property of all ages, but gradually came to be thought of as especially suitable for children and became a mainstay of children’s publishing.  
  
  The first fairy tale printed in English, in 1621, was a version of Tom Thumb. The tiny hero is cooked into a pudding, carried away by a raven, eaten by a fish from which he is saved in the kitchen at the court of King Arthur, becomes a favored courtier, and so on.
  Richard Whittington was a real person, whose life as a merchant and tenure as Lord Mayor of London were fictionalized as a story about a poor boy who gained his fortune through the sale of his cat on a distant, rat-infested shore.
  The story of Jack the Giant Killer did not emerge until the eighteenth century, when it brought together Arthurian legend, stories about magic, and a host of dangerous giants from Cornish and Welsh folklore.
  As is the way of folk tales, the name Jack became associated with giants, and it was a different Jack entirely who climbed the magic beanstalk and heard the dreadful cry “Fee-fi-fofum! I smell the blood of an Englishman.”
  Goldilocks and the Three Bears had parallels in folk stories, but first appeared in its modern form in 1837, in a story by Robert Southey, where the intruder was an old, dirty, vagrant woman. Within a decade the crone had been converted to Goldilocks and become part of the popular imagination.