"All-Over Design": Lockwood de Forest between Ahmedabad and Bryn Mawr

"Aesthetic" Spaces


Designers of the Aesthetic Movement valued beauty above all else. In their interiors, objects were assembled for harmonious visual effect regardless of cultural origin, time periods and style. This all-over approach to design blanketed surfaces in complicated layers of pattern, color, and texture.

In the Dorothy Vernon Room, the largest room in the now-demolished Deanery and its main entertaining space, de Forest carefully arranged 
Ahmedabad Wood Carving Company furniture around inlaid tabourets from Damascus, Russian bronzes, and Japanese ceramic stools, while the walls were lined with paintings by European artists Rosa Bonheur, William Holman Hunt and by de Forest himself. He summarized the intended effect of his interiors in an 1887 letter to Mary Garrett: "I want to get a rich room but very quiet."

Unknown maker (possibly Malayer, Iran) 
Rug 
n.d. 
Wool 
Unaccessioned

Unknown maker, New York 
Lockwood de Forest (designer) 
Armchair 
ca. 1908 
Wood, upholstery, metal 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.355 

Unknown maker (possibly Hoshiapur, India) 
Octagonal Inlaid Tabouret 
n.d. 
Wood, bone or ivory 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.465

Unknown maker (India) 
Peacock feather fan 
n.d. 
Peacock feather, straw, newsprint 
Bryn Mawr College Archives

Rookwood Pottery 
Floor Lamp with Vase Base 
n.d. 
Bronze, ceramic; modern shade 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.400

The Ahmedabad Wood Carving Company 
Sofa 
ca. 1881–1886 
Wood, upholstery 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.362

This impeccably carved sofa represents the peak of The Ahmedabad Wood Carving Company production. Delicate floral motifs pierce through the back of the sofa and spiral along all of its surfaces. The carving was so detailed that, although the sofa features in images of de Forest’s showrooms, it may have been too expensive for him to keep. 

Like a woodblock used for decorating textiles, the depth and sharp detail of the sofa’s carved armrests would leave an impression on the sitter’s skin. Although this sofa is one of the few which can be directly connected with a design sketch by de Forest, the paneled form predates his arrival. In Gujarat, similar sofas are referred to as bankdo, a term deriving from the Portuguese banco, or bench.

Lockwood de Forest 
Palm Springs
1907 
Oil on masonite 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
W.193, W.194, W.195 
Restored 1964 by Ruth Levy Merriam ’31

De Forest continued to paint landscapes throughout his life, depicting scenes from his travels in India, Egypt, Syria, Alaska, Mexico and the American Southwest. Like the landscapes of his mentor Frederic Church, these paintings glow with atmospheric effects, even at the comparatively reduced scale of these intimate plein-air sketches. De Forest was an active exhibitor at the National Academy of Design, also designing frames for the paintings of his contemporaries.

Unknown maker, New York 
Lockwood de Forest (designer) 
Side Chair 
ca. 1908 
Wood, upholstery, metal 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.357

Unknown maker (Damascus, Syria) 
Small Table 
n.d.
Walnut, mother-of-pearl, bone, lead
 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 

Deanery.413 

at center

The Ahmedabad Wood Carving Company 
Hexagonal Table 
ca. 1885–1887 
Wood 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.382

Unknown maker 
Incense Burner 
n.d. 
Bronze, mother-of-pearl 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
2013.4.14

Antoine-Louis Barye 
Wolf Caught in a Trap 
ca. 1870 
Bronze 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.31

Yevgeny Lansere 
Sheep from the Caucasus 
1875 
Bronze 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
Deanery.33 

Antoine-Louis Barye 
Parrot Figurine 
n.d. 
Bronze 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
W.477 

Unknown maker 
Askos (Jug) 
n.d. [reproduction] 
Bronze 
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894–1922 
W.497

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