Beyond Boundaries: Feminine FormsMain MenuBeyond Boundaries: Feminine FormsCuratorsSelect Works at PAFAPAFA Installation ImagesSelect Works at BMCBMC Installation ImagesProgrammingRelated ExhibitionsExhibition CatalogueMechella Yezernitskayaa79f660f1df80423beef6cbdfc74777f391c9c88Laurel McLaughlin7aaa77c13c8bd618817d93f2bac4722f1fb908fd
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12020-03-04T15:39:56+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe185831Lydia Hunn, Invisible Drawing/Letter W with Leaves #3, 1970-1994. Ink on paper, 9 1/4 x 12 1/2 in. Bryn Mawr College, The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, gift of Bill Scott, 2006.1.1852020-03-04T15:39:56+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe1858
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12020-03-04T15:39:51+00:00Select Works at BMC1gallery2020-03-04T15:39:51+00:00
12020-03-04T15:39:56+00:00(w)riting1gallery2020-03-04T15:39:56+00:00 Language, in the psychoanalytic theory of Jacques Lacan (1901—1981), operates in the “name of the father” to define the possibilities for human behavior and desire. In the 1980s, many artists and collectives associated with feminism challenged this idea by exploring how text might function outside of a patriarchal context. The artists in this constellation use writing to call attention to inequities, instincts, desires, and vulnerabilities that exceed the paternal function of language.
