Beyond Boundaries: Feminine FormsMain MenuBeyond Boundaries: Feminine FormsCuratorsSelect Works at PAFAPAFA Installation ImagesSelect Works at BMCBMC Installation ImagesProgrammingRelated ExhibitionsExhibition CatalogueMechella Yezernitskayaa79f660f1df80423beef6cbdfc74777f391c9c88Laurel McLaughlin7aaa77c13c8bd618817d93f2bac4722f1fb908fd
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12020-03-04T15:39:58+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe185831Elizabeth Meyer, Permeable Barriers #1, 1995. Oil an collage on Mylar, 15 x 15 in. Bryn Mawr College, The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, gift of Bill Scott, 2006.1.2202020-03-04T15:39:58+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe1858
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12020-03-04T15:39:51+00:00Select Works at BMC1gallery2020-03-04T15:39:51+00:00
12020-03-04T15:39:53+00:00musing1gallery2020-03-04T15:39:53+00:00 The “muse,” as a source of inspiration for visual artists, is almost unfailingly represented as a woman. Gendered and exoticized ideals of beauty, personified as goddesses, models, wives, or lovers, have been used to reinforce expectations for artists as male and subjects as female throughout the history of art. Artists in this constellation utilize natural forms such as skies, mountains, and swans as “feminine forms” of musing that defy the patriarchy’s proclivity to turn its gaze toward the female body.
12020-03-04T15:39:56+00:00(r)evolving1gallery2020-03-04T15:39:56+00:00From cycles to hysteria the female body has been both understood and denigrated through its alternative experiences of time. Instead of the linear progression of clock time, cyclical rhythms and repetitions characterize some bodily experiences of time through menstruation and procreation. While history privileges the former and its evolutionary unfolding, artists in this constellation probe the revolutionary possibilities of non-linear temporality.
