Beyond Boundaries: Feminine FormsMain MenuBeyond Boundaries: Feminine FormsCuratorsSelect Works at PAFAPAFA Installation ImagesSelect Works at BMCBMC Installation ImagesProgrammingRelated ExhibitionsExhibition CatalogueMechella Yezernitskayaa79f660f1df80423beef6cbdfc74777f391c9c88Laurel McLaughlin7aaa77c13c8bd618817d93f2bac4722f1fb908fd
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12020-03-04T15:40:04+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe185831Jacqueline Cotter, Empty Nest I, 1989. Collage, oil, oil pastel, and pencil on paper, 18 x 24 in. Bryn Mawr College, The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, gift of Bill Scott, 2006.1.992020-03-04T15:40:04+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe1858
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12020-03-04T15:39:51+00:00Select Works at BMC1gallery2020-03-04T15:39:51+00:00
12020-03-04T15:39:54+00:00(not) at home1gallery2020-03-04T15:39:54+00:00 The home has long been the socially-sanctioned sphere for “women’s work,” used simultaneously to validate and devalue such labor. In these works, circuitous floor plans, disorienting spaces, and precarious kitchen utensils challenge the assumption of the home as an innocuous and hospitable space of femininity. Here the ordinary shifts to the uncanny as these artists inscribe the domestic with discomfiting meaning.
