Beyond Boundaries: Feminine FormsMain MenuBeyond Boundaries: Feminine FormsCuratorsSelect Works at PAFAPAFA Installation ImagesSelect Works at BMCBMC Installation ImagesProgrammingRelated ExhibitionsExhibition CatalogueMechella Yezernitskayaa79f660f1df80423beef6cbdfc74777f391c9c88Laurel McLaughlin7aaa77c13c8bd618817d93f2bac4722f1fb908fd
COLLINS-2014_41a&b.jpg
12020-03-04T15:40:10+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe185831Bethany Collins, Skin, 1965, 2014. Ink on American Masters Paper, 32 1/2 x 25 x 1 1/2 in. (2 frames) Pennsylvania Academy of the Fine Arts, Museum Purchase, 2014.41a&b2020-03-04T15:40:10+00:00Alicia Peakerfa9ce5cf6cff641fdb630497ef4559c09dbe1858
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12020-03-04T15:39:56+00:00(w)riting1gallery2020-03-04T15:39:56+00:00 Language, in the psychoanalytic theory of Jacques Lacan (1901—1981), operates in the “name of the father” to define the possibilities for human behavior and desire. In the 1980s, many artists and collectives associated with feminism challenged this idea by exploring how text might function outside of a patriarchal context. The artists in this constellation use writing to call attention to inequities, instincts, desires, and vulnerabilities that exceed the paternal function of language.
