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After Paul Delaroche (French, 1797-1856), Napoleon Bonaparte (1870-75), after painting of 1838. Engraving; Gift of Abby A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt; VP.786.

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Exhibition Checklist Katie Perry
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Exhibition Checklist Katie Perry
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1. Alex Katz (American, b. 1927), Jessica (1994). Three-color woodcut on Hosho paper, edition 79/200, signed in pencil, Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine, 2012.27.508.
2. Albert Alexander Paul Rouffio (French, 1855-1911), Hérodias (c. 1878), after painting of 1875. Etching; signed in plate; Gift of Abbey A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt; VP.346 While Symbolist artists of this period tend to focus on Salomé’s role in the death of John the Baptist, it was her mother Hérodias who ordered his beheading after he criticized her marriage to Herod. These artists, including Odilon Redon, Gustave Moreau, and Aubrey Beardsley, prefer to romanticize the dangerous but feminine allure of Salomé’s dance, rather than her mother’s more masculine, murderous rage as characteristic of the femme fatale. Rouffio, however, like Gustave Flaubert (1821–1880) in his novella Hérodias (1877), shifts attention from the youthful daughter to Hérodias herself. His Hérodias reclines seductively, clutching her marital pillow and stroking the hair of the beheaded victim—an unnervingly calm, yet vengeful choleric. He discovers room for Hérodias to retain her femininity and depicts her as the femme fatale of this story.
3. After Paul Delaroche (French, 1797-1856), Napoleon Bonaparte (1870-75), after painting of 1838. Engraving; Gift of Abby A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt; VP.786.
4. Albrecht Dürer (German, 1471-1528), The Four Horsemen of the Apocalypse (1511). Woodcut, published as plate 3/16 in Apocalypsis cum figuris (Late edition, 1511, of The Apocalypse, 1497/1498), initialed in plate, Gift of Marcus Stanley, 2012.15.1
5. After Lucas Leyden (Netherlandish, 1494-1533) The Musicians (1524). Engraving, monogram in plate, X.415
6. Albrect Dürer (German, 1471-1528), The Men's Bath House (late 16th century?). Woodcut on laid paper; monogram in plate; Gift of Howard L. Gray, Professor of History, 1915-1940; 1946.26
7. Albrect Dürer (German, 1471-1528), St. Christopher Facing Left (1521). Engraving; monogram and date in print; Gift of Eleanor May Morris, Class of 1941, MA 1970, in honor of Carol Biba, Head of Public Relations, Bryn Mawr College, 1950-1972; 2007.9.3
8. After Albrect Dürer (German 1471-1528), St. Christopher Facing Left (1521). Engraving, monogram and date in plate, reverse copy, X.402
Personality and Class Esme Read
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