This page was created by Alicia Peaker. The last update was by Carrie Robbins.
Checklist of the Exhibition
Checklist of Rare Books in the Exhibition
- Robert Burton (English, 1577–1640) The Anatomy of Melancholy: What it is, with all the kinds, causes, symptomes, prognostickes & seuerall cures of it. In three partitions, with their severall sections, members & sub-sections. Philosophically, medicinally, historicallly, opened & cut vp. Printed in English Oxford: Printed for Henry Cripps, 1638, fifth edition
- Johann Caspar Lavater (German, 1741–1801) Physiognomy, or, The corresponding analogy between the conformation of the features, and the ruling passions of the mind. Printed in English London: Printed for H.D. Symonds, not before 1790
- Johann Caspar Lavater (German, 1741–1801) The Pocket Lavater, or, The Science of Physiognomy: To which is added, An inquiry into the analogy existing between brute and human physiognomy, from the Italian of Porta. Printed in English Hartford: Andrus & Judd, 1832
- Charles Le Brun (French, 1619–1690) Expressions des Passions de L’Ame. Printed in French Paris, 1727
- Cesare Ripa (Italian, 1560–1645) Iconologia di Cesare Ripa Perugino, caure. De’Sti. Mauritio e Lazzaro: Nella quale si descriuono diuerse imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d’Italia, fiumi, tutte le parti del mundo, ed altere infinite materie: ... Printed in Italian Siena: Appresso gli geredi di Matteo Florimi, 1613 Purchased with Seymour Adelman fund
- Cesare Ripa (Italian, 1560–1645) Iconologia di Cesare Ripa: Divisa in tre libri, ne I quali si quali si esprimono varie imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d’Italia, fiumi, & altire materie infinite vtili ad ogni stato di persone. Printed in Italian Venice: C. Tomasini, 1645
- Hartmann Schedel (German, 1440– 1514) Liber Chronicarum (Nuremberg Chronicle). Printed in Latin Nuremberg: Anton Koberger, 1493. Deposit of Phyllis Goodhart Gordon (BMC 1935)
- Otto van Veen (Dutch, 1556–1629) Amorum emblemata, figuris aeneis in cisa. Antuerpiae: Venalia apud auctorem, 1607
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- Jacques Philippe Le Bas (French, 1707-1873), after Carel van Falens (Flemish, 1683-1733); Departure for the Hunt (1742). Etching & engraving; VP.259.
- Lynd Ward (American, 1905-1985), Preachers (1943). Mezzotint; published as no. 627 in Desiderius Erasmus (Dutch, 1469-1536) Moriae encomium, or, The Praise of Folly (New York: Limited Editions Club, 1943); 2012.27.189.
- After Paul Delaroche (French, 1797-1856), Napoleon Bonaparte (1870-75), after 1838 painting. Engraving; Gift of Abby A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt, VP.786.
- Alex Katz (American, b. 1927), Jessica (1994)published by the Print Club of New York, Inc. 3-color woodcut on Hosho paper, edition 79/200, signed in pencil, Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine, 2012.27.508.
- Richard Linder (German-American, 1901-1978), Der Rosencavalier (The Knight of the Rose) (1977), Color lithograph, edition 193/250, signed in pencil, 2012.27.413.
- After Albrecht Dürer (German 1471-1528), St. Christopher Facing Left (1521). Engraving, monogram in plate, copy in reverse, X.402.
- Shirley Goldfarb (American, 1925-1980), Rouge et Jaune (Red and Yellow) (1961), Lithograph, A. P., signed in pencil, Gift of Gregory Mausrovsky to the William and Uytendale Scott Memorial Study Collection of Works by Women Artists, 2006.1.104.
- John Sartain (English-American, 1808-1897), after Christian Schussele (French-American 1824-1879), A Reminiscence of the Opera (1851). Mezzotint, Gift of John Freas, SAR.102.
- Albrecht Dürer (German, 1471-1528), St. Christopher Facing Left (1521). Engraving; monogram in plate; Gift of Eleanor May Morris, Class of 1941, MA 1970, in honor of Carol Biba, Head of Public Relations, Bryn Mawr College, 1950-1972; 2007.9.3.
- Albrecht Dürer (German, 1471-1528), The Men's Bath House (late 16th century?) restrike of 1496-1497 original block. Woodcut on laid paper; monogram in plate; Gift of Howard L. Gray, Professor of History, 1915-1940; 1946.26
- After Lucas van Leyden (Netherlandish, 1494-1533) The Musicians (1524). Engraving, monogram in plate, New Hollstein 155, copy c, X.415
- Jan Georg van Vliet (Dutch, c. 1610-1668), Beggar with Two Crutches (18th- or 19th- century restrike? of 1632 plate). Etching on wove paper, state iv/iv, signed in plate, Hollstein 76, X.901.
- Jan Georg van Vliet (Dutch c. 1610-1668), Pedlar (18th- or 19th- century restrike? of 1632 plate). Etching on wove paper, state v/v, signed in plate, Hollstein 79, X.899.
- Francisco Amighetti (Costa Rican, 1907-1998). El niño y la nube (The Boy and the Cloud) (1969). Color lithograph of woodblock print, edition 7/12, signed in pencil below image, 2012.27.444.
- Jonas Suyderhoef (Dutch, c. 1613-1686), after Adriaen van Ostade (Dutch, 1610-1685); The Big Broom, or Peasants Under an Arbour to the Right of an Inn (mid-late 17th century). Engraving, state ii/iv, signed in plate, 2005.3.146.
- Harmen Jansz. Muller (Dutch, c. 1540-c. 1617), after Maerten van Heemskerck (Dutch, 1498-1574), Sanguinei, from The Four Temperaments (1566, after 1565 drawings). Engraving, first edition, signed in plate, Gift of Dale Kinney, 2009.19.1.
- Amze Emmons (American, b. 1974), Levity (2018). 10-color screenprint with laser cut elements on Coventry rag paper; edition 71/200; signed in pencil on verso; Gift of Jacqueline Koldin Levine, Class of 1946, and Howard H. Levine; 2018.37.1.
- William Gropper (American, 1897-1977), Hysteria II. Lithograph, edition 25/100, signed twice in plate, postmortem impression signed in pencil below image by Sophie Gropper, 2012.27.656.
- Allen Lewis (American, 1873-1957), Plate for Still Life with Tree and Horse (c. 1947). Drypoint plate, Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.230
- Allen Lewis (American, 1873-1957), Woodblock for Pruning Hands (1931). Wooblock, Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.222.
- Asa Cheffetz (American, 1896-1965); Reflection in Crystal (c. 1945); published by the Woodcut Society, 1946. Wood engraving in black, signed in pencil, on loan from Mitchell Cohn (HC, Class of 1980).
- Charles Amand-Durand (French, 1831-1905), after Rembrandt Harmensz. van Rijn (Dutch, 1606-1669); Jan Cornelis Sylvius (1882, after 1646 print). Heliogravure from newly engraved copper plate, X.332.
- Hendrick Goltzius (Netherlands, 1558-1617), The Adoration of Shepherds (c. 1599), published by Jacob Matham, after 1617. Engraving and drypoint; state ii/iv; New Hollstein 14; Gift of Richard C. Bull, 2012.22.1.
- Harmen Jansz. Muller (Dutch, c. 1540-c.1617), after Maerten van Heemskerck (Dutch, 1498-1574), Phlegmatici, from The Four Temperaments (1566, after 1565 drawings). Engraving, first edition, signed in plate, Gift of Dale Kinney, 2009.19.4.
- Francesco Curti (Italian, 1603-1607), after engraving by Agostino Carracci (Italian, 1557-1602) of drawing by Francesco Vanni (Italian 1563-1610); St. Jerome in Meditation (c. 1595). Engraved copy in reverse, X.959.
- Harmen Jansz. Muller (Dutch, c. 1540-c.1617), after Maerten van Heemskerck (Dutch, 1498-1574), Cholerici, from The Four Temperaments (1566, after 1565 drawings). Engraving, first edition, signed in plate, Gift of Dale Kinney, 2009.19.2.
- François Vivarès (French, 1709-1780), after Rembrandt Harmensz. van Rijn (Dutch, 1606-1669); Beggar Seated Warming His Hands at a Chafing Dish (1850-1900), copy no. 5 after c. 1630 etching. Etched in reverse, signed in plate, X.814.
- Joseph W. Reed (American, 1948-2002), Automatic John Wayne (June 1975). Lithograph, edition 10/10, signed in pencil, Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine, 2012.27.175.
- Thomas Worlidge (English, 1700-1766), after Rembrandt Harmensz. van Rijn (Dutch, 1606-1669); Beggar Seated on a Bank (18th century). Etched copy in reverse; after etching of 1630; New Hollstein 50, copy b ii; X.811.
- Ernst Barlach (German, 1870-1938), Barmherziger Samariter (The Good Samaritan) (1919). Woodcut; monogram in plate; Gift of Jacqueline Koldin Levine, Class of 1946, and Howard H. Levine, 2012.27.141.
- Jost Amman (German, 1539-1591), Adam and Eve in Paradise (1580). Woodcut; monogram in block; New Hollstein 168.5; Gift of Howard L. Gray, Professor of History, 1915-1940; 1946.27.
- Katherine Bradford (American, b. 1942), Color X (1993). 8-color collagraph, A.P. 7/7, edition of 30, signed in pencil, Gift of the artist, The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, 2006.1.301.
- Luigi Schiavonetti (Italian, 1765-1810), after Henry Tresham (Irish, c. 1756-1814); Adam and Eve (1773-1795). Stipple engraving; Gift of Abby A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. Van Pelt; VP.473.
- Audrey Flack (American, b. 1931), Une Bouchée d'Amour (A Mouthful of Love) (2013). Digitized drawing with layered silkscreen elements, edition 86/200, signed in pencil below image, 2014.19.1.
- Master of the Die (Italian, active c. 1530-1560), after Giulio Romano (Italian 1499?-1566), Two gladiators fighting in front of an arch (1530-1560). Engraving, initialed in plate, VP.67.
- Albert Alexander Paul Rouffio (French, 1855-1911), Hérodias (c. 1878), after 1875 painting. Etching; signed in plate; Gift of Abby A. K. Turner Van Pelt Grimscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt; VP.346
- Zinnia (American, b. 1944), Après Rembrandt (After Rembrandt) (December 9, 1979). Gelatin silver print; edition 1/10; signed in pencil; Gift of Constance Maravell, Class of 1965; 2014.18.34.
- Wenceslaus Hollar (Bohemian-English, 1607-1677), Salmon Fishing (1671). Etching, state ii/ii, signed in plate, New Hollstein 2138, X.352.
- Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). Peasant Family on the Tramp (18th century restrike). Etching on wove plate, state ii/iii, New Hollstein 266, X.319.
- Will Barnet (American, 1911-2012), Gramercy Park (2012). 5-color photo-lithograph on Hanamühle Copperplate Bright White paper; edition 176/200; signed in pencil; Gift of Jacqueline Koldin Levine, Class of 1946, and Howard H. Levine; 2012.27.643.
- Johannes Wierix (Flemish, 1549-c. 1620), Albrecht Dürer (German, 1471-1528); Melancholia I (1602). Engraving, Hollstein LXVII.144.2000, on loan from the Philadelphia Museum of Art
- Rembrandt Harmensz. van Rijn (Dutch, 1606-1669), Cottage Beside a Canal (c. 1645). Etching and drypoint; only state; New Hollstein 202; Gift of Caroline Newton, Class of 1914; X.305.
- Bruno Héroux (German, 1868-1944), Printer (late-19th—mid-20th century). Etching, signed in pencil below image, Gift of Richard E. Bishop in memory of Mary E. Harrington, 1962.62.
- John Sloan (American, 1871-1951), Man Monkey (1905). Etching; edition of 100, state vi/vi; signed in plate; Morse 1969, 130; Gift of Richard E. Bishop in memory of Mary E. Harrington, 1962.143
- Federico Castellón (Spanish-American, 1914-1971), Adam and Even (1941). Etching; trial proof of 1st state; signed in pencil below; Gift of Jacqueline Koldin Levine, Class of 1946, and Howard H. Levine; 2012.27.149.
- Allen Lewis (American, 1873-1957), Burin (early 20th century). Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.232.a.
- Allen Lewis (American, 1873-1957), Burin (early 20th century). Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.232.b.
- Anders Zorn (Swedish, 1860-1920), Zorn and His Wife (1890). Etching; signed in pencil below plate; Gift of Clarissa Compton Dryden, Class of 1932, MA 1935; 1988.3.
- Roselle Hellenberg Osk (American, 1884-1954), The Sisters (1938). Etching, 7/100, Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine, 2012.27.228.
- Charles Wheeler Locke (American, 1899-1983), Three Men Seated in Overstuffed Chairs (20th Century). Lithograph; signed in pencil below image; Gift of Mary Patterson McPherson, President of Bryn Mawr College, 1978-1997; 2018.35.22.
- Juanita McNeely (American, b. 1936), The Gift (1969-1970). Aquatint, signed in pencil below, Gift of Bill Scott to The William and Uytendale Scott Memorial Study Collection of Works by Women Artists, 2006.1.202.
- Bolton Caldwell Moïse Jr. (American, 1905-1989), Château de Chillon (20th century). Etched copper plate, X.355.i.
- Nancy Spero (American, 1962-2009), Best Friends (2001). Handprinting on handmade paper, signed in pencil, Purchased with Delphine Fitz-Darby Fund, 2002.16.2.
- After Albrecht Dürer (German, 1471-1528), St. Christopher Facing Left (1521). Engraving, monogram and date in plate, copy in reverse, X.342.
- Arthur Bowen Davies (American, 1862-1928), Introvert (1919-1920). Soft-ground etching and aquatint; edition of 25, state ii/ii, stamped by estate; Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine; 2012.27.163
- Al Hirschfeld (American, 1903-2003), Le Gong, Bali (1941). Lithograph, edition of 1000, signed in plate, on loan from Mitchell Cohn (HC, Class of 1980).
- Albrecht Dürer (German, 1471-1528), The Four Horsemen of the Apocalypse (1511). Woodcut, published as plate 3/16 in Apocalypsis cum figuris (Latin edition, 1511, of The Apocalypse, 1497/1498), initialed in plate, Gift of Marcus Stanley, 2012.15.1
- Allen Lewis (American, 1873-1957), Drypoint Needle, (early 20th century). Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.232.f
- Allen Lewis (American, 1873-1957), Pruning Hands (1931). Woodcut, Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.173.b.
- Harmen Jansz. Muller (Dutch, c. 1540-c.1617), after Maerten van Heemskerck (Dutch, 1498-1574), Melancholici, from The Four Temperaments (1566, after 1565 drawings). Engraving, first edition, signed in plate, Gift of Dale Kinney, 2009.19.3.
- Thomas Waterman Wood (American, 1823-1903), His Own Doctor (1883). Etching; signed in plate and below in pencil; Gift of Abbey A. K. Turner Van Pelt Grimscom (Class of 1952), Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt; VP.845.
- Clare Leighton (English-American, 1898-1989), Stooking: August (1978). Wood engraving, second edition 28/100, signed in pencil below image, Gift of Jacqueline Koldin Levine (Class of 1946) and Howard H. Levine, 2012.27.383
- Fritz Eichenberg (German-American, 1901-1990), Untitled (1969). Wood engraving; signed in pencil; Gift of Mary Patterson McPherson, President of Bryn Mawr College, 1978-1997; 2018.35.13
- Allen Lewis (American, 1873-1957), Drypoint Needle (early 20th century). Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.232.e
- Robert von Neumann (German-American, 1888-1976), The Four Net Menders (1934, published by the Woodcut Society, 1950). Woodcut; Gift of Mary Patterson McPherson, President of Bryn Mawr College, 1978-1997; 2018.35.26.
- Allen Lewis (American, 1873-1957), Gouge (early 20th century). Gift of Dorothy S. Jayne (MSS 1960) and DeWitt Whistler Jayne, 1983.1.232.d.
- Bolton Caldwell Moïse Jr. (American, 1905-1989), Château de Chillon (20th century). Etching, X.355.b.#2.
- Bolton Caldwell Moïse Jr. (American, 1905-1989), Château de Chillon (20th century). Etching, X.355.d.#7.
- After Jacques Callot (French, 1592-1635), The Blindman and His Companion (1622), plate 9/25 from series The Beggars. Etching on wove paper, state ii/ii, signed in plate, Lieure 487, X.873.
- Faith Ringgold (American, b. around 1930), Here Comes Moses (2014). Serigraph; edition 93/200; signed in pencil; Gift of Jacqueline Koldin Levine, Class of 1946, and Howard H. Levine; 2014.9.1.
- Mary Bauermeister (German, b. 1934), Rainbow (1973). Lithograph, edition 52/250, signed in pencil, Gift of Argosy Partners and Bond Street Partners, 1980.5.
- George A. Walker (Canadian, b. 1960), Portrait of Neil Gaiman with Candle (1999). Wood engraving on homemade paper, edition 23/46, signed in pencil, on loan from Mitchell Cohn (HC, Class of 1980).
- James G. Todd, Jr. (American, b. 1937), Owl Man (2004). Wood engraving, edition 13/60, signed in pencil and with stamp, On loan from Mitchell Cohn (HC, Class of 1980).
- Francisco José de Goya y Lucientes (Spanish, 1746-1828), The Sleep of Reason (1797). Aquatint and etching; from 4th (1878), 6th (1890-1900), or 9th (1908-12) edition; on loan from Mitchell Cohn (HC, Class of 1980).