Thomas Worlidge (English, 1700-1766), after Rembrandt Harmensz. van Rijn (Dutch, 1606-1669); Beggar Seated on a Bank (18th century). Etched copy in reverse; after etching of 1630; New Hollstein 50, copy b ii; X.811.
1 media/X.811_BMC_f_4_thumb.jpg 2020-06-25T13:45:00+00:00 Esme Read dd6ffc8b12ade875e94a3b39793298d8e4cb3bde 25 3 plain 2020-08-19T15:05:03+00:00 Carrie Robbins 615680eb6c62151dd186dbf3ed63a15b0ea341eaThis page is referenced by:
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Checklist of the Exhibition
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Checklist of Rare Books in the Exhibition
- Robert Burton (English, 1577–1640) The Anatomy of Melancholy: What it is, with all the kinds, causes, symptomes, prognostickes & seuerall cures of it. In three partitions, with their severall sections, members & sub-sections. Philosophically, medicinally, historicallly, opened & cut vp. Printed in English Oxford: Printed for Henry Cripps, 1638, fifth edition
- Johann Caspar Lavater (German, 1741–1801) Physiognomy, or, The corresponding analogy between the conformation of the features, and the ruling passions of the mind. Printed in English London: Printed for H.D. Symonds, not before 1790
- Johann Caspar Lavater (German, 1741–1801) The Pocket Lavater, or, The Science of Physiognomy: To which is added, An inquiry into the analogy existing between brute and human physiognomy, from the Italian of Porta. Printed in English Hartford: Andrus & Judd, 1832
- Charles Le Brun (French, 1619–1690) Expressions des Passions de L’Ame. Printed in French Paris, 1727
- Cesare Ripa (Italian, 1560–1645) Iconologia di Cesare Ripa Perugino, caure. De’Sti. Mauritio e Lazzaro: Nella quale si descriuono diuerse imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d’Italia, fiumi, tutte le parti del mundo, ed altere infinite materie: ... Printed in Italian Siena: Appresso gli geredi di Matteo Florimi, 1613 Purchased with Seymour Adelman fund
- Cesare Ripa (Italian, 1560–1645) Iconologia di Cesare Ripa: Divisa in tre libri, ne I quali si quali si esprimono varie imagini di virtù, vitij, affetti, passioni humane, arti, discipline, humori, elementi, corpi celesti, prouincie d’Italia, fiumi, & altire materie infinite vtili ad ogni stato di persone. Printed in Italian Venice: C. Tomasini, 1645
- Hartmann Schedel (German, 1440– 1514) Liber Chronicarum (Nuremberg Chronicle). Printed in Latin Nuremberg: Anton Koberger, 1493. Deposit of Phyllis Goodhart Gordon (BMC 1935)
- Otto van Veen (Dutch, 1556–1629) Amorum emblemata, figuris aeneis in cisa. Antuerpiae: Venalia apud auctorem, 1607
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Personality and Class
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What makes us who we are? Just as today we might turn to personality tests and horoscopes to explain our dispositions and destinies, our early modern counterparts looked to the four temperaments. Decided by the configuration of planets at birth, an excess of a bodily humor could account for one's disposition and life trajectory. One's disposition also experienced day-to-day fluctuations, influenced by the movement of the planets and changes in environment or diet. These dispositions or temperaments, in turn, could be used as explanations for a rigidly hierarchical society. Artists could attribute the hardship of beggars and peasants to their phlegmatic, and therefore idle, or choleric, and therefore dangerous, qualities. A privileged soldier's choleric violence, in contrast, could be celebrated as the strong will of Napoleon—or does the phlegmatic gesture of his idle hand undermine this reading?
